Hannibal Treats Different Cities in Different Ways
The influence of friends then, and still more that of
circumstances, in doing violence to and changing the natural
character of Hannibal, is shown by what I have narrated and
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will be shown by what I have to narrate. note For as soon
as Capua fell into the hands of the Romans
the other cities naturally became restless,
and began to look round for opportunities and pretexts for revolting back again to Rome. It
was then that Hannibal seems to have been at his lowest
point of distress and despair. For neither was he able to
keep a watch upon all the cities so widely removed from each
other,—while he remained entrenched at one spot, and the
enemy were manœuvering against him with several armies,—
nor could he divide his force into many parts; for he would
have put an easy victory into the hands of the enemy by
becoming inferior to them in numbers, and finding it impossible to be personally present at all points. Wherefore he was
obliged to completely abandon some of the cities, and withdraw his garrisons from others: being afraid lest, in the course
of the revolutions which might occur, he should lose his own
soldiers as well. Some cities again he made up his mind to
treat with treacherous violence, removing their inhabitants to
other cities, and giving their property up to plunder; in
consequence of which many were enraged with him, and
accused him of impiety or cruelty. For the fact was that
these movements were accompanied by robberies of money,
murders, and violence, on various pretexts at the hands of the
outgoing or incoming soldiers in the cities, because they
always supposed that the inhabitants that were left behind
were on the verge of turning over to the enemy. It is, therefore, very difficult to express an opinion on the natural
character of Hannibal, owing to the influence exercised on it
by the counsel of friends and the force of circumstances. The
prevailing notion about him, however, at Carthage was that
he was greedy of money, at Rome that he was cruel. note . . .
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